What age were you when you first masturbated?.Have you ever worn clothing of the opposite sex?.Tell me about a really embarrassing sex story involving you?.Have you ever had sex in public? Do you want to try? (Learn the greatest places to have sex).Have you ever been submissive for someone in the bedroom?.When is the last time you had a hard on? (Learn how to make a man rock hard).Who do you think about during sex other than me?.When was the last time you kissed someone?.Would you prefer to see me in hot pants or a short skirt?.If you could only choose 2 things for me to wear, what would they be?.What turns you on the most in someone of the opposite sex? (Discover what turns men on).If you could add 4 inches to your penis or 4 inches to your height, what would you choose?.Have you ever had a homosexual experience?.What’s the dirtiest dream that you’ve ever had?.When’s the last time you’ve skinny dipped?.What’s the furthest you’ve ever gone with someone the first time you met them?.What’s the sexiest item of clothing you own?.If you could change genders for just one day, what’s the first thing that you’d do?.Have you ever swallowed your partner’s ejaculate? ( How to swallow cum and enjoy it).Tell me a true sex story that you have never shared with someone before.When is the last time you watched porn? ( The reasons why men watch porn).When is the last time you cheated on someone? ( Why men cheat & why women cheat).Have you ever wanted to have sex with someone that you’d never want to date?.Who is the person that you’ve been most attracted to in your entire life? (Learn the signs of sexual attraction).Would you ever have a threesome with 2 guys & just 1 girl? What about a threesome with 2 girls & 1 guy? ( How to have an enjoyable threesome and 18 kinky threesome positions).Have you ever had sex with someone before you had even kissed them?.
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On the off chance that somebody has an indistinguishable name from their ancestor’s, Roman numerals will get utilized as suffix to recognize that individual, enabling a name to get conveyed down age to age. It isn’t unprecedented to see Roman numerals show up in copyright dates, part or segment titles in archives or for huge occasions like the Olympics or the Super Bowl. You may experience Roman numerals in an assortment of areas today, not simply in Rome! You’ll see Roman numerals regularly where somebody is attempting to make something look more formal or authority. A similar rule applies to number 9, which is composed as ‘IX’. Since the one is before 5 we subtract it making 4. The number four is composed of ‘IV’, the numerals for one and five. The 3 is in Roman numeral composed as ‘III’, but, the numeral for four isn’t ‘IIII’. The Romans didn’t care for four of similar numerals written in succession, so they built up an arrangement of subtraction. Roman numerals are written as largest to smallest and from left to right. Roman Numeral Converter Roman Numeral Converter for Dates One should not expect from a work of this type that it collects, both in English and Russian, the full lexicon of a language: there are always extremely specialized or obsolete words that do not not appear. The qualities of a good Anglo-Russian dictionary Or save new words on a Russian language app on your phone. When you watch a video in Russian, note the vocabulary you do not know. These same characteristics are valid in the other direction, from Russian to English, in case of "double" linguistic dictionary. In addition, such a dictionary can check the spelling of a noun or try to find a synonym to avoid the repetition of a given term. That's how we progress: working - it's the only secret of linguistics! - an repeating.Īnother common use of the Anglo-Russian dictionary concerns a particular written exercise, which can be done for pleasure, by training research or for professional reasons: translation of a theme.Įven sworn translators may need one: who doesn't have a memory gap once in a while? To take full advantage of its services and the time it takes to search for the desired entries, there is nothing better than keeping up-to-date, in parallel, an alphabetical "directory" in which to note the vocabulary to learn on a daily basis and to revise regularly. But there's something in that process that alse helps you memorize the words better. Unlike online translators, such as a website or Russian translation software, it can require some lenghtly research among the many pages. This is where the help of a dictionary for English Russian translation usually comes in hand: he helps out at the slightest need, both written and spoken, even if it can sometimes seem tedious. How can you manage your English to Russian translations best? Learn a living language: which dictionary to take with you on a trip?ĭuring you're Russian language lessons in Glasow or a Russian language course London, you'll come across a lot of words that come to mind in English when you'd like to know them instantly in Russian. In deed, language translation is an art, a job, and not easy for beginners. If you've already had an english translation to do, you'll realize how this exercize can be hard. When you start learning a foreign language such as Russian, or you practice it with an intermediate to higher level, you have at first a very limited vocabulary, expanding as you go along in a measured way. Let's go What is the point of having an English Russian dictionary? Once this prerequisite is satisfied, you can fully benefit from the virtues of a good Russian-English dictionary. This big gap is reflected even on the alphabet: the knowledge of Russian characters (and especially the order of Cyrillic letters for your lexical research) is necessary for the good use of most Anglo-Russian dictionaries. If American tourists that speak a little of one latin language have no difficulty in grasping the essence of what Spaniards and Italians try to say to them, the same can not be said for Russian, a Slavic language whose lexical base is clearly different from the Latin base!īefore being oral, you're comprehension of the language must start with the written words and phrases. It can be either English-Russian or the other way around, Russian-English (sometimes both): for the moment, we will speak only of the first ones. 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ColorĪpplying a shared color to signify that certain items are related, and thus may function similarly, is powerful. So, while the similarity principle isn’t necessarily the strongest grouping principle as it is often overpowered by proximity or common region, it could be considered the most resilient. In addition, visually similar items may be also part of other location-based groupings. The similarity principle is different from several of the other visual grouping principles in that the shared characteristic can unite elements despite a distributed placement. The items don’t need to be identical, but simply share at least one visible trait such as color, shape, or size to be perceived as part of the same group. The principle of similarity simply states that when items share some visual characteristic, they are assumed to be related in some way. Signify Relationships Using Shared Characteristics Signify Relationships Using Shared Characteristics.These Gestalt principles can and should be used by visual designers to create usable user interfaces. Later, more grouping principles (such as common region) were added to the original Gestalt list. These psychologists were aiming to understand how people visually perceive the world and decide whether certain elements are part of the same group. The similarity principle is one of the original set of visual grouping principles (along with proximity and closure) discovered in the early 20th century by Gestalt psychologists. This grid of shapes is typically perceived as four columns (rather than three rows, or as a single large group) due to the principle of similarity. Principle of similarity: Items which share a visual characteristic are perceived as more related than items that are dissimilar. This is because each interaction develops users’ expectations for how other similar elements will function. Clear, consistently applied visual rules for each type of UI element are critical to helping people understand and use the design easily. Objects with similar visual traits are most likely related - or at least they should be, when it comes to user-interface design. The earliest recorded reference to the prayer is a diary entry from 1932 by Winnifred Crane Wygal, a pupil and collaborator of Reinhold Niebuhr, quoting the prayer and attributing it to Niebuhr: Please see the talk page for more information. This article or section appears to contradict itself on roles of Niebuhr and Wygal in the origin of the prayer compare, rectify, and merge this and the History section. The best-known form is a late version, as it includes a reference to grace not found before 1951: Reinhold Niebuhr's versions of the prayer were always printed as a single prose sentence printings that set out the prayer as three lines of verse modify the author's original version. The prayer has appeared in many versions. William FitzGerald believes Wygal wrote the prayer, arguing sexism as the reason for misattribution, while Fred Shapiro, with greater nuance, has alternated in his conclusions, but presents both the messages that the "rigin is debated" and Wygal as author in materials relating to The New Yale Book of Quotations, published in 2021. Posters and household ornaments were produced by others without attribution. In 1962, Hallmark began using the prayer in its graduation cards, crediting Niebuhr, and in the 1970s they also produced a wall plaque. God, grant me the serenity to accept the things I cannot change,Īnd the wisdom to know the difference. īy this stage, the prayer had become commonly quoted as: Niebuhr also published it in a magazine column in 1951. From January 1944, Niebuhr began being cited as the source of the prayer in newspaper articles. It then also appeared in a sermon of Niebuhr's in the 1944 A Book of Prayers and Services for the Armed Forces, and was printed on cards for American soldiers in WWII. Niebuhr's wife and daughter would later say this was when they understood the prayer was first written and used. Niebuhr presented it in a 1943 sermon at Heath Evangelical Union Church in Heath, Massachusetts. It was initially known within the group as "The AA prayer", but by the late 1940s, was known as "the serenity prayer." The organisation embraced it and spread it widely. In June 1941, the prayer was published in an obituary in the New York Herald Tribune, and from here became known by the first Alcoholics Anonymous group. The prayer became published in English language newspapers much more from 1940, but never attributed to Wygal or Neibuhr. O God, give us the serenity to accept what cannot be changed, the courage to change what can be changed, and the wisdom to know the one from the other. Wygal published the prayer again in her 1940 book We Plan Our Own Worship Services, and attributed it to Niebuhr. In 1937, the prayer was published in a Christian student newsletter, attributing it to Niebuhr. The prayer appeared a few additional times in American and Canadian newspapers in the 1930s, associated with the YWCA or with individual women. Substantial quotes from the prayer were also printed in two Atlanta newspapers that month. The prayer was also quoted in the Richmond Times-Dispatch later that month. Oh, God, give us courage to change what must be altered, serenity to accept what can not be helped, and insight to know the one from the other. ĭrawing on this, Wygal published a prayer in the March 1933 edition of YWCA periodical The Woman's Press, which was soon shared with a broader audience on the front page of the Santa Cruz Sentinel of March 15, 1933. The victorious man in the day of crisis is the man who has the serenity to accept what he cannot help and the courage to change what must be altered. In an Octodiary entry by American YWCA official Winnifred Crane Wygal, she quotes Niebuhr (a colleague): Initially popularized by one of his colleagues, the prayer began to spread widely without reference to the original author.Īround 1932, Niebuhr is reported to have first used the prayer as the last part of a longer prayer. The prayer was originally composed by Protestant theologian Reinhold Niebuhr in the early 1930s. This article or section appears to contradict itself on roles of Niebuhr and Wygal in the origin of the prayer, and improperly represents the conclusions of the Shapiro () citation compare, rectify, and merge this and the Early history sections. Right side attacks, on the other hand, can be signaled with a hand forming a ‘C,’ representing a high set on the right side of the court for the opposite hitter. When it comes to volleyball hand signals, there are specific gestures used to communicate different attack strategies.įor left side attacks, hand signals such as the ‘A-Ball’ or ’52’ indicate a set for the outside hitter behind the 3-meter line. So grab your jersey, step onto the court, and get ready to join the symphony of communication that is setter hand signals in volleyball. In this article, we will delve into the world of volleyball setter hand signals, exploring their importance and how they have evolved over time. With just a flick of the wrist or a tap on the shoulder, you can convey crucial information about blocking, attacking, or even specific instructions for your teammates.Ĭonsistency in these gestures is key to avoiding misunderstandings and ensuring smooth teamwork. Setter hand signals serve as a universal code that transcends borders and languages, connecting players from different countries and regions. These signals are like a secret language, allowing you to seamlessly execute plays and strategies.īy understanding and using these setter hand signals effectively, you can elevate your team’s performance and create a sense of belonging within the group. Are you ready to take your volleyball game to the next level? Like a conductor guiding an orchestra, volleyball setters use hand signals to communicate and coordinate with their teammates on the court. Speaking of groups who were better at doing original stuff than covers, I think the Who rival the Kinks for best exemplar. Like “Louie, Louie”, just slightly stabbier. I can’t “da-dum” the guitar in “I Can’t Explain” because I hear it as a series of “DANT”s, even though I’m aware that “DANT” has not (yet) achieved the same status as Technical Musical Term as “da” or “dum”. If they only have two, they feel unfinished-and this is why both Lennon’s and McCartney’s solo stuff is so frequently unsatisfying they didn’t have the other guy to suggest the third bit, the “release” that sets off the other stuff. I’ve always had a pet theory, expressed to nobody but my wife, that truly great pop songs have to have three distinct pieces, each arresting on their own, but fitting together. Then the “middle eight”–the shouty bit, followed by rave-up call-and-response, then back to the melody. Just for comparison’s sake, here’s the Raspberries “Go All the Way”:ĭig that impossibly crunchy guitar…that dissolves into an arrangement so sugary it’s pre-Beatles, more like Beach Boys. I assumed we’d get to Nuggets when I posed the question, but to me at least there has to be a significant melody for something to be pop as well as power. The Choir’s “It’s Cold Outside,” from 1966, is essential power pop.Īgree that “Louie Louie” is in the bloodline, but not exactly power pop. IMHO.īut speaking of the overlap, Stiv Bators in 1979 did a cover version of a song called “It’s Cold Outside,” from the short-lived Cleveland group The Choir–whose lead singer, Eric Carmen, of course went on to form Raspberries, probably the greatest power pop group of all time. But otherwise the Kingsmen’s record (based of course on the Richard Berry & The Pharaohs original, which was calypso-flavored R&B from Los Angeles) is pure atavistic garage or proto-punk rock–which often overlaps with power pop, but not here. (They were also covering a lot of the same classic rock ‘n’ roll as the Beatles, like “Too Much Monkey Business” and “Long Tall Sally,” and it’s all freaking terrible the Kinks were only ever good at original material.) If I’m really listening, I see the influence of “Louie” on the British groups as being entirely limited to the fast, savage guitar break. I love “Louie Louie” but I can’t see it as power pop, even though you can hear it in “You Really Got Me,” and even though the Kinks did their own, really, really bad, version of it. You could also make an argument that some of that first heavy metal is basically just “Ticket to Ride” slowed way, way down, and sluiced through with blues but I don’t know why you’d want to. That still sounds plausible to me, though anyone can come up with “heavy” records predating those the point is 1968 seems like an agglomeration point, the year a real genre was born. The narrative has usually been that heavy metal started sometime in 1968, the year when Blue Cheer released Vincebus Eruptum Iron Butterfly blessed us with “In-a-Gadda-Da-Vida” Steppenwolf released their first two albums and Jimmy Page, who’d briefly marshaled the remnants of the old Yardbirds as the New Yardbirds, formed Led Zeppelin. But who cares, I find it every bit as dynamite today as I did on first hearing it, when it was less than a decade old I can only imagine that makes it as dynamite today, or very nearly so, as it was the day it was released. But it was far from the first power popper, and so has no real “pioneering” placement. “Ticket to Ride” is absolutely power pop, in fact it’s still a definitive example. |
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